AN EVENING OF DISCOVERY

 Kaya Gür, Caitlin Marshall, Chaehwan Lee, and Olympia Nelson

We are always delighted to be invited to Casa Italiana Zerilli-Marimo to learn more about Italian culture, especially when it involves music. The program we recently enjoyed there was entitled "Ermanno Wolf-Ferrari, a Portrait in Words and Music". We were immediately intrigued since we haven't heard much about this renowned composer in quite some time. We were then working as a radio announcer for a program called "Voice, Piano, and Strings" and recall consulting the NBC Handbook of Pronunciation because we were unsure how to pronounce his name!

Our evening at Casa Italiana renewed our interest in this composer whose interesting heritage and illustrious career were described by one of his descendants, the lovely Federica Zagatti Wolf-Ferrari who is now a stage director based in Venice. We will focus here on the music but we urge you, Dear Reader, to read the life story of this major figure whose career overlaps that of Giacomo Puccini--late 19th and early 20th century.  Given his mixed parentage, it comes as no surprise that both  influences are reflected in his music, which has a firm Teutonic structure and charming Italianate melodies. 

This rewarding program was brought to us by the Lunigiana international Music Festival which takes place in July; detailed information can be found on their website--www.lunigianamusicfestival.com. They have chosen to honor the composer on the occasion of the 150th anniversary of his birth. 

We enjoyed hearing  the Menuetto from a work he wrote for string quartet and a movement of a piano quintet performed by pianist Jasmine Ogiste and the four string players pictured above, comprising violinists Kaya Gür and Caitlin Marshall, violist Olympia Nelson, and cellist Chaehwan Lee.  One coudn't help but admire the variations of mood, key modulations, and enchanting shifts of string technique. We also heard one of his Three  Impromptus performed by pianist Cameron Pieper.

We felt as if we rushed through a tasting buffet and wanted to return to enjoy a  more leisurely sit down dinner. We wondered why his works have not recently received greater exposure in New York City. We particularly wondered when we heard some of his vocal music, performed by soprano Federica Venturi accompanied by Mr. Pieper. Ms. Venturi was a winner in the voice competition at the Lunigiana Music Festival and has a lovely Italianate style and most expressive face. Sadly, her performance was hampered by the detestable presence of a music stand which hampered her gestures and audience rapport.

Nonetheless, we felt particular interest in the composer's operas and wondered why we have never seen any staged. Among the arias we heard were selections from Le Donne curiose and Il Segretto di Susanna. Although Sig.ra Wolf-Ferrari illustrated her talk with projections, the translation of the libretti of the arias would have been similarly welcomed.

We decided it is high time for a revival of Wolf-Ferrari's music and hope that some New York musical institutions will heed the call!

© meche kroop