Sunday, July 14, 2019
Tuesday, July 2, 2019
Saturday, June 29, 2019
Friday, June 28, 2019
Wednesday, June 26, 2019
Tuesday, June 25, 2019
Monday, June 24, 2019
That Mr. Serero has a devoted audience is undeniable; the entire run was sold out and the standing ovation was generous. Mr. Serero is well known for abridging the classics (both opera and theater) and if this brings people into the theaters and opera houses to get a deeper exposure that is all to the good.
Most of the important speeches were there and Mr. Serero made sure that the basics of the story were told. Minor characters were eliminated as well. Although we didn't understand the music, the interpolated non-Shakespearean dialogue was mostly in Yiddish-peppered English. In any case, we all know the story. The production reminded us of a singspiel.
The costumes were gorgeous, giving Mr. Serero some funny lines at the curtain call about most of the budget going toward the costumes. In place of sets there were appropriate projections. Well known composer/pianist Felix Jarrar slid easily between his own improvisations and the various types of music.
No one minded the injection of humor into this tragedy and most of it came from stereotypes. The very elegant Lady Capulet (portrayed by Lisa Monde) donned a wig and became Romeo's guilt-inducing cheek-pinching Jewish mother. Matthew Zimmerman did double duty as the pugnacious Tybalt and Juliet's stern controlling father who had picked out "the wealthy Mordechai" to be Juliet's husband. Paris was booted right out of the play.
Friar Laurence became Rabbi Laurence who prayed a lot. The role of Romeo's friend Mercutio was well performed by Patrick Clark. And as for the fair Juliet, Ashley Brooke Miller was convincing in her innocence and willfulness.
Mr. Serero himself took the role of the ardent Romeo and garnered most of the laughs with his English dialogue. The sword fights between Tybalt and Mercutio were well executed and ended in Mercutio's death (of course) and the retaliatory fight between Romeo and Tybalt ended in Tybalt's death (of course). We didn't quite get the part where Romeo stabs himself after being banished, but then reappears in the next scene. Neither did our companion.
Mr. Serero made sure that everyone had a great time. What more could one want after all that tragedy, leavened with laughter and tunes? Well, there was more. The evening ended with the cast performing a popular song which was just as unknown to us as the Ladino, Yiddish, and Russian ones; disco dancing filled the stage. That was the one thing we could have lived without as it seemed to undercut the tragic ending.
But Mr. Serero wants everyone to have a good time! And they did!
Watch out for an upcoming Nozze di Figaro next month, also presented by The American Sephardi Federation at the Center for Jewish History. Mr. Serero was quick to point out the Jewish connection. Lorenzo DaPonte was indeed Jewish. But David, tell us, was he Sephardic or Ashkenazic?
(c) meche kroop